Streets
Street photography is not about composition for its own sake, not about a beautiful patch of light or the shadow of a passerby caught in a preselected spot. Above all, it is a portrait of the city — its rhythm, its nerves, its habits, its absurdities, and its human intonation.
If the viewer immediately senses that this is Paris, Turin, or Sarajevo, even when no iconic landmarks are visible, then the image has succeeded. What operates in the photograph then is no longer effect, but the invisible genius loci within the context of time.































































